Tre nye filmværker af Tinne Zenner, Basir Mahmood og Pia Rönicke, der bevæger sig fra Grønland til Pakistan og Mexico.

Tinne Zenners 'Translations' (grønlandsk: 'Nutsigassat') overvejer sprogets rolle som kolonisator af fremmede landskaber. Et kritisk billedværk, hvor Grønlands uendelige vidder skaber et frirum for tanken. 'All Voices are Mine' er en (gen)indspilning af en film, der aldrig blev optaget i første omgang. En drøm oplyst af dagslys, hvor den pakistanske kunstner Basir Mahmoods samler sine scener i en elliptisk sekvens af rolige, surreelle motiver. Pia Rönickes nye værk 'Word for Forest' registerer et frøs forflyttelse fra Botanisk have i København, til dets oprindelige tilholdsted Oaxacas bjerge i Mexico.

Three new works by Tinne Zenner, Basir Mahmood and Pia Rönicke, in a movement from Greenland to Pakistan and Mexico.

Tinne Zenner's 'Translations' (in Greenlandic: 'Nutsigassat') reflects on the power of language as a colonizer of foreign landscapes. A critical and graceful 16mm film in which the vistas of Greenland create a space for free thinking. 'All Voices are Mine' is a remake of a film that was never made in the first place. A dream in broad daylight in which Basir Mahmood assembles his scenes in an elliptical sequence of calm, surreal motifs. Pia Rönicke's new film work 'Word for Forest' registers the movement of a seed from the Botanical Gardens in Copenhagen back to its original home in the Mexican Oaxaca mountains.